On the Set of Catch-22

Catch 22 Magazine Spread“The visual style of the film is the province of the lighting director, David Watkin, whose work on Charge of the Light Brigade particularly impressed [Mike] Nichols. Watkin has the disarming habit of, when being asked a direct question, answering with “Well-…” and then leaving the room. He has spent a great part of the rehearsal week lying on his back and staring through a dark filter at the sky. Some of us believe he is trying to perform a miracle. Others are sure that he simply sleeps in that position.

Clive Reed, the first assistant whose job is to see that everybody’s job gets done, handles Watkin (as he does the others) with the style of of a somewhat whimsical concentration camp director. When Watkin’s fascination with the sun, seems to approach a cataleptic trance, Reed will inform him that a tarantula is approaching.”

When this account was read to him, David explained Buck (who he adored) had simply failed to understand the technical purpose of the exercise. Pressed about sleeping, he agreed there was a distinct possibility.

The reference to the spider still caused him to shudder and pale.

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Welcome

We welcome you to the David Watkin website that celebrates the work and life of that remarkable cinematographer. We trace his contributions to documentary, commercial and feature film-making, relating his achievements and innovations to the very character of the man, complex and perverse, innocent yet knowing at the same time. He wore his learning lightly but with much seriousness.

Find out what it was to work with David Watkin on sound stage and beyond, to keep him supplied with jokes, food, music, books, pictures and all sorts of other intriguing information. Read within the memories of friends, critics, colleagues and other amused observers.

We invite you to add your own impressions to our interactive database.

Invitation to Contribute…

The website was initiated as a response to the hundreds of friends of David Watkin who wished to contribute to an archive of memories of this remarkable man. The editors are the designer Rachael Adams and the historian Chris Mullen who were in contact with him in Brighton on a weekly, often daily, basis.

Copyright of the words and images to be found here is held by the editors from their personal collection, and by contributing friends and colleagues who have answered the appeal.

DW’s Autobiographies

Sadly, the remaining stock of the two volumes of David Watkin's autobiography has been destroyed.

However limited numbers remain, which will become available for sale shortly.
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