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	<title>David Watkin &#187; John Taylor</title>
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	<description>David Watkin: Oscar-winning Cinematographer</description>
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		<title>The England of Elizabeth, 1957 for BTF</title>
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		<pubDate>Mon, 28 Sep 2009 07:55:49 +0000</pubDate>
		<dc:creator>Chris Mullen</dc:creator>
				<category><![CDATA[British Transport Films]]></category>
		<category><![CDATA[BTF in the 1950's]]></category>
		<category><![CDATA[1957]]></category>
		<category><![CDATA[David Watkin]]></category>
		<category><![CDATA[John Taylor]]></category>
		<category><![CDATA[The England of Elizabeth]]></category>
		<category><![CDATA[The Moley Men]]></category>

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		<description><![CDATA[&#8220;Edgar promised Ritchie, who was getting restless, a break to direct and so I took over The England of Elizabeth with John Taylor again. It is nice to have one&#8217;s name on the same picture as Vaughan Williams although on the only occasion when I should have met the great man I was sent off to get a shot of a train at Woking. Par for the course (I don&#8217;t play golf but learned this expression from my electricians who all do), but VW was one of my heroes. It is part of the price one pays for going up in the world; if I&#8217;d still been chauffeuring people to music recordings I&#8217;d have seen him. It appears to have been quite a session as at one point the old man, who was no lightweight, tipped too far back in his chair and was only saved from disaster by Edgar making a dive and grabbing him. Somebody that I did meet on the film was the founding father of documentary himself. John Grierson was married to John Taylor&#8217;s sister and we drove down to their farm, Tog Hill in Wiltshire, to shoot a fiery beacon for the Spanish Armada. I [...]]]></description>
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