<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>David Watkin &#187; Marat/Sade</title>
	<atom:link href="http://davidwatkin.co.uk/tag/maratsade/feed/" rel="self" type="application/rss+xml" />
	<link>http://davidwatkin.co.uk</link>
	<description>David Watkin: Oscar-winning Cinematographer</description>
	<lastBuildDate>Tue, 27 Dec 2011 14:36:59 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3</generator>
		<item>
		<title>Marat/Sade</title>
		<link>http://davidwatkin.co.uk/2010/10/maratsade/#utm_source=feed&#038;utm_medium=feed&#038;utm_campaign=feed</link>
		<comments>http://davidwatkin.co.uk/2010/10/maratsade/#comments</comments>
		<pubDate>Fri, 01 Oct 2010 13:00:47 +0000</pubDate>
		<dc:creator>Scrutineer</dc:creator>
				<category><![CDATA[Feature Films]]></category>
		<category><![CDATA[Marat/Sade]]></category>
		<category><![CDATA[David Watkin]]></category>

		<guid isPermaLink="false">http://davidwatkin.co.uk/?p=1999</guid>
		<description><![CDATA[Marat/Sade is a 1967 adaptation of the Peter Weiss play, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade. The film, adapted by Adrian Mitchell and directed by Peter Brook, used the full title in the opening credits, though most of the publicity materials used the shortened form. The cast included Ian Richardson, Patrick Magee, Glenda Jackson, Clifford Rose, and Freddie Jones. It was filmed at Pinewood Studios in Buckinghamshire and released by United Artists on February 22, 1967 in the United States, and March 8, 1967 in the United Kingdom. The film&#8217;s score comprised Richard Peaslee&#8217;s compositions. David Watkin served as cinematographer. Produced by Michael Birkett Original Music by Richard Peaslee Cinematography by David Watkin Film Editing by Tom Priestley Production Design by Sally Jacobs Art Direction by Ted Marshall Costume Design by John Hales Lynn Hope Gunilla Palmstierna-Weiss Makeup Department Alan Boyle makeup artist Alan Boyle wig maker Ken Lintott makeup artist Ken Lintott wig maker Bunty Phillips makeup artist (as Bunty Philips) Betty Sherriff hair stylist Production Management Jack Swinburne production manager Second Unit Director or Assistant Director Anthony Way first [...]]]></description>
		<wfw:commentRss>http://davidwatkin.co.uk/2010/10/maratsade/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Reflected Light/Direct Light</title>
		<link>http://davidwatkin.co.uk/2009/09/light-shredded-wheat-the-knack-and-the-maratsade/#utm_source=feed&#038;utm_medium=feed&#038;utm_campaign=feed</link>
		<comments>http://davidwatkin.co.uk/2009/09/light-shredded-wheat-the-knack-and-the-maratsade/#comments</comments>
		<pubDate>Mon, 14 Sep 2009 07:44:14 +0000</pubDate>
		<dc:creator>Chris Mullen</dc:creator>
				<category><![CDATA[Feature Films]]></category>
		<category><![CDATA[Marat/Sade]]></category>
		<category><![CDATA[Richard Lester commercial]]></category>

		<guid isPermaLink="false">http://davidwatkin.co.uk/new/?p=1222</guid>
		<description><![CDATA[David first used the technique of reflected light rather than direct lighting on a documentary film he was doing about London Transport buses (All That Mighty Heart 1962). &#8220;And it had a scene in Welwyn Garden City. In some house there was a housewife tidying up and vacuuming before getting on a Green Line bus. And I decided I would do this &#8211; this was the first time I, or anyone else,  had done this &#8211; was to aim a brute through the window of this house, but that everything inside should be reflected.&#8221; Then he left documentaries and started doing commercials, sometimes using that particular kind of reflected lighting. &#8220;I still did key light, filler and back all the time, but now and then, when I thought it would be suited to it, I would use that technique. So I did it on a Shredded Wheat commercial for Richard Lester at Viking Studios. I didn&#8217;t think much of it, I thought it was nice, and that was that. The next day Richard had seen the rushes. I hadn&#8217;t. And I remember he came up to me in the street outside and said &#8216;I can&#8217;t believe that, it looks so beautiful.&#8217; He [...]]]></description>
		<wfw:commentRss>http://davidwatkin.co.uk/2009/09/light-shredded-wheat-the-knack-and-the-maratsade/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>

